Writing

Write in Your Own Voice

I’ve become increasingly convinced that writing in my own voice is important. But I’ve been writing almost as long as I’ve been talking, and frankly, I write a lot better than I speak. Chalk it up to ADD, lack of confidence, or daydreaming, but my speech meanders even more than my posts.

Even so, I think there’s a need to achieve synthesis. (And yes, I would actually say a sentence like that out loud.)

One of the things I’ve noticed recently is how much more serious my writing is than my speaking. People who know me personally know that I’m passionate – opinionated, sometimes angry, and often funny. I make a lot of jokes. I also swear a lot. More than I should.

It could be related to the fact that I’ve written for Catholic or politically conservative audiences for so long, but I tend to clean up my speech a good bit when I type it out. Gone are the damned swear words, the wit, the excessively controversial or risqué statements. I very rarely type out the words, “That’s what SHE said!” And I never make jokes about enemas.

Perhaps this is aspirational. I want to be a smarter, more mature guy than I am in real life. Maybe it’s stylistic – we all learn to write with a good bit more formality than we speak, and if we read a lot, this style is picked up through imitation. Either way, I think that my real self and my written persona need to talk about a merger. I think the real me could do with an image upgrade, and the written me could stand to loosen up a bit. I need to stop writing for what I think my audiences expect, and write what I want to talk about with all the enthusiasm I’m capable of. Then, I think it’s safe to assume, whatever I’m saying will come out better.

And brevity ain’t so bad either.

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The Problem With Writing on the Internet


I’ve been writing my whole life. When I was little, before I could do much with words, I made stories by drawing out each scene, frame by frame, on a notepad. I’d sit in the back of my parents’ station wagon and I’d sketch out the adventure du jour. The ballpoint pen-and-ink helicopter chasing the motorcycle, bullets striking the asphalt, explosions happening everywhere. I’d make myself car sick back there thinking it through, but I wouldn’t stop. What I had in my head needed to be put down on paper.

I wrote stories in school. Somewhere, in a box, I still have one of my earliest, written and drawn out in crayon, the front and back dust jacket made from hideous wallpaper glued to the makeshift book. In the fifth grade, I placed second in my first writing contest. It was for a bumpersticker campaign about seatbelt use. I received a $50 savings bond. By the end of fifth grade, I won first place in an all-school story contest. I more or less blatantly ripped off The Indian in the Cupboard in my breakout hit, The Drawing that Came to Life, and I earned myself a trip to Bantam publishing, so I could have a sense of what the process was for real writers. My dad took me, and while I was excited, I lost interest quickly. The only tangible thing I brought home with me that day was a copy of Ursula K. LeGuinn’s A Wizard of Earthsea, which started a decade-long dalliance with the fantasy genre, that ultimately culminated in a life-long enjoyment of the more mature and interesting obsession I have with Science Fiction.

I let my writing slip somewhat as I cruised through high school, still earning high praise for my test essays and English and history papers but not doing much with it. I went to college for communication arts, but I focused on Radio and Television Production, not journalism or other disciplines of the scribe. But it was in college, ultimately, that I re-discovered my love for the written word. In a series of journals I sent home via an arcane email system while spending a semester abroad, I developed (unbeknownst to me) a fan base of individuals who had received my dispatches as forwards from my mother, and I returned to the U.S. with lots of suggestions that I continue the craft. My senior year of college, I landed a column in the student newspaper, and it wound up being fairly popular (if at times a bit too controversial for administrative tastes.) Several years after college, I got my first paid writing gig, when I landed a column with Inside Catholic, formerly (and, now, again) known as Crisis Magazine. Since then, my writing has appeared in multiple publications, corporate blogs, personal and business websites, and even under the signature of some rather more successful and well-to-do people than I am who simply didn’t write as well, or have the time to take up the keyboard for themselves.

All of this is to say (in a long-winded and self-promoting memoir-like fashion) that I’ve been writing for as long as I can remember, and I’ve produced a lot of material over the years that I’d like to be able to showcase for anyone interested in taking me on for a gig. For the writer, there is perhaps no more valued possession than his portfolio of work. And while I still have a box with clippings of my newspaper columns, childhood stories, and the like, for everything I’ve written since 2001, the portfolio is entirely online.

I should say, it was entirely online.

Over the years, websites I’ve written for have disappeared, changed their URL structure, archived or deleted old content, or in some other way invalidated my links. Just this week, Crisis relaunched with a new website look, and it appears my archived content on the site More three-quarters of the links on my portfolio page now either go nowhere, or to whatever PDF I could patch together from digging through The Wayback Machine.

This is, frankly, a pain. I don’t want to only offer links to locally hosted PDF files, which are bulky and slow to download. I don’t want to have to convert HTML to PDF either, since sometimes this comes out rather less nice looking than the original page.

The simplest solution, I suppose, would be for me to get more things published instead of relying on links to older content. This answer of course presumes that I possess plenty of time and spare creative energy to produce new content, which lately I haven’t, but which I certainly should have if I want to sell anyone on the fact that I can still write and do so worth a damn.

But there’s still the nagging question of legacy content, and how to best display it. I really like a good deal of the work I’ve put up for public consumption, and I’d prefer to be able to keep it available for as long as possible. Any ideas on how to best handle this challenge?

Hide and Seek

It was our turn.

 

They counted on the porch, eyes closed, squinting, their voices louder than they needed to be.

 

I grabbed Alex, hefted him under one arm, and sprinted as quietly as I could across the nearly grassless expanse of lawn toward the tree line. The sky was pale gray above us, the air cool but not cold, promising rain. His belly was squishy against my hand.

 

We hurdled the fallen tree that I had partly cut up during an experimental round with my new chain saw. I hoped that the volume of their counting would mask the scruffle of our feet through the peanut-butter colored drifts and dunes of dried leaves, cascading down the hill. There was a big tree, easily three feet in diameter, its rough bark showing rivers of contrast along a smooth trunk unbroken by the jut of branches. We dove behind it, finding cover, nestled down into the underbrush, our backs pressed against its solemn bulk. We laughed quietly and shushed each other, his tiny finger making a line across his wide, smiling mouth. I reminded him again and again to be still and not to move. Oscar, the dog, seemed likely to give us away, but he panted off when he heard the others come running. I was thankful that they didn’t yet know that to look where he was standing was a big clue on where to find their pray.

 

Seconds passed quickly, and then, out of nowhere, Ivan rounded on us, announcing his victory and waving his arms above his head. Next, Sophie came, and we all sat and laughed in the leaves and breathed in their dry-straw smell, and looked through the thinning branches at the glimmer of the river beyond. This was our hill now, our tree, our game to play as often as we wanted.

 

And for the first time in a very long time I felt as though I were a child again, filled with wonder, my eyes alight with the magical possibilities of a November forest.

NaNoWriMo Begins!

As I’ve mentioned before, I’m taking a crack this month for the first time ever at the NaNoWriMo (National Novel Writing Month) competition.

 

I’ve written fiction for a very, very long time. I’ve never finished anything longer than a short story of about 5,000 words. A couple of times, I’ve attempted longer form fiction, only to be stumped, time and again. I have never, to the best of my knowledge, crossed the 10,000 word barrier. I’ve come close, but that’s it. My high water mark is one fifth of a full-length novel.

 

And that’s what NaNoWriMo is about. It’s about getting it done. In 30 days, participants grind through 50,000 words and finish a whole novel, even if it sucks. Just break those barriers and make it happen! The “official” ten-step process is:

 

1) Sign up for the event by clicking the “Start Here” button at NaNoWriMo.org.

2) Follow the instructions on the following screen to create an account.

2.5) Check your email for the account validation email and click on the link included.

3) Log into your account, where you’ll be prompted to finish the sign-up process.

4) Start filling out information about yourself and your novel in My NaNoWriMo.

5) Begin procrastinating by reading through all the great advice and funny stories in the forums. Post some stories and questions of your own. Get excited. Get nervous. Try to rope someone else into doing this with you. Eat lots of chocolate and stockpile noveling rewards.

6) On November 1, begin writing your novel. Your goal is to write a 50,000-word novel by midnight, local time, on November 30th. You write on your own computer, using whatever software you prefer.

7) This is not as scary as it sounds.

8 ) Starting November 1, you can update your word count in that box at the top of the site, and post excerpts of your work for others to read. Watch your word-count accumulate and story take shape. Feel a little giddy.

9) Write with other NaNoWriMo participants in your area. Write by yourself. Write. Write. Write.

9.25) If you write 50,000 words of fiction by midnight, local time, November 30th, you can upload your novel for official verification, and be added to our hallowed Winner’s Page and receive a handsome winner’s certificate and web badge. We’ll post step-by-step instructions on how to scramble and upload your novel starting in mid-November.

9.3333) Reward yourself copiously for embarking on this outrageously creative adventure.

10) Win or lose, you rock for even trying.

So there you have it. Why am I writing about this here? Because I’m hoping that by announcing my attentions I’ll feel just the slightest bit accountable for not completing them.

 

Oh, wait, what? Why am I writing this instead of my novel? Because I’m procrastinating, natch. My plot is still pretty sketchy. And I have this thing that I’ve been trying to take care of. And I have to work today. And I don’t have a desk set up in my new house yet. And…

 

OK, fine. I’m going.